![]() Following the suggestion of jazz chord-scale theory and Ramon Satyendra's chord spaces, each chordal zone can exhibit its own local tonal hierarchy potentially consisting of a local tonic note (usually a chord root), chordal notes and intervals, scalar notes and intervals, and sub-scalar notes and intervals. The scalar notes and intervals that embellish a particular chord are referred to as chord-specific scalar material (CSSM). This study explores implications of the jazz chord-scale perspective for classical music and classical music theory. Both the jazz and classical perspectives can coexist, and each can inform and supplement the other. This idea as well as many of the scale types that jazz chord-scale theory identifies are essentially foreign to classical music theory, which instead tends to focus on the scales that represent relatively global key areas-that is, the scales that accommodate entire chord successions. It has fostered the notion that chords can generate their own local scales. Jazz chord-scale theory identifies scales that can be used to embellish a particular type of chord.
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